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It’s been a jam packed 5 days here in Maastricht, Netherlands for the meeting of the European Network in Aging Studies and the 7th International Symposium on Cultural Gerontology.  It has been an incredible experience to see aging from an international perspective, and to be among so many humanities and arts scholars.

There is some great work being done on using creativity in dementia care, including some on clowning and horticulture.  Lots of social theory.  Lots of reading representations of aging in film, magazines, novels, and plays.  I think my favorite paper was an analysis of the notes on 42 hours of meetings about client needs – looking at how decisions about care are reached.

I gave my first, at length presentation on the Penelope Project.  It was a challenge to try to describe it all in just 45 minutes…I was worried that my talk – all about arts practice – wouldn’t fit in with the conference.  But I now see it as a living practice of the concept of the relational self about which there is lots of discussion, but very little examples.

It also made me miss the team.  The crying handmaidens.  The choral members.  The students.  Rusty.  Joyce.  All the Sojourn gang…  I look forward to presenting the project WITH some of them next week in DC at Leading Age.

 

LAUNCHED!

The new TimeSlips.orgwebsite is now available to the world – so go ahead world!  Start playing!

Let your imagination soar!

Several years in the making, this site was designed to bring creative storytelling (and a bit of joyful play) to people with cognitive disabilities wherever they live.

Here’s what we hope to be a common scenario:

Patty lives at home with her husband Ron who is having great difficulties with cognition and memory.  They visit the site, sign in, pick an image they like, and start telling a story together right there on the computer.  They use the “collaborate” feature to invite their son (who has stopped calling because he doesn’t know what to say…) to tell the story with them.  His answers are hilarious.  As are Patty and Ron’s.   They also invite Ron’s best friend Bill (who now lives too far away to visit) to tell the story with them and their son.  Together, they create a story that reflects a rich array of humor, love, longing, sorrow, and joy.  Patty “publishes” the story on the site and emails it to their whole network of family and friends.  The next day, Patty receives an email request to tell a story from one of their daughter who lives several states away.

Sharing joy.  Growing.  Playing.  Finding a way to reach each other.  That’s what the new website can do.

It can also be used in group and facility-based care settings as a way to engage groups of residents/participants, and as a way to connect with families.

One needn’t take the training to play on the site.  But we do recommend it.  And the training is actually really fun.  Lots of videos and a newly written/designed training manual.

Enjoy.  And tell your friends.  This site can be an amazing tool for families with dementia, but only if they KNOW about it!

 

 

In a singularly rare gift of academia…I recently started my year-long sabbatical.  As is my tendency, I have so many goals for this year that it will be a miracle if I accomplish 1/2 of them.

All my goals could be melted down into one single goal: to evolve my work in using the arts and humanities to improve the quality of life of individuals and communities.

TimeSlips will launch a new website on Sept. 24th that will bring creative storytelling to families with dementia wherever they live.  My dream is to replace some of the fear and sorrow that consumes families with dementia with play, joy, and connection.

The three partner organizations involved with the Penelope Project will work together to create a curriculum for an exciting 3-day summer institute to be held in Milwaukee in June 2012.  The power of person-centered care, partnership building, and artistic collaboration are at the core of the institute, which invites attendees to bring and develop ideas for their own projects.   We will also continue to work on the program evaluation and documentation of the project – including a documentary film and possibly a multi-platform “book”.

Finally, I’m READING, LISTENING, OBSERVING and LEARNING.  For a whole year.  What a huge, huge treat.

I’m reading a variety of angles that cross cut my overarching goal.  Leadership theory/practice.  Aging and Intergenerational programming theories/models.  Models of cultural development that have specific goals to improve the health of individuals and communities.

My first read?  A galley proof of the yet to be published Everyone Leads by Paul Schmitz, CEO of Public Allies.  The book shares the stories of individual Allies and the organization’s development of its core values.  I’m struck by how similar the language is to that used in “culture change” in long term care.  Paul writes “At the heart of an asset-based approach are two fundamental principles:  that every member of a community, no exceptions, has gifts and talents that can be contributed to the community, and that communities are places where all people are able to contribute their gifts and talents.”  134.

So much of the writing in the distributed, relational, servant (pick your word) leadership world can be applied to long term care.  Because we so thoroughly see long term care settings as a place of MEDICAL care, and not one of DAILY LIVING…we have failed in large part to consider them (or improve them) as COMMUNITIES.

Many many people write about how seeing a person as a patient ignores their needs as a human being.  It also ignores the community in which that human being lives, which can be a nurturing resource for that person.

 

Here’s a well done article from today’s (July 13th, 2011) Chicago Tribune on something that those of us in the field of theatre know – Improvisation is funny and fun, demands that you hone all your senses, and draws you closer to those you practice it with.

Improvisation has been the base of the TimeSlips storytelling method since 1996, and Karen Stobbe’s In-themoment.com for a decade.  I’m so thankful others are catching on!

YES!  AND…

 

 

I rattled off a whole bunch of references this a.m. and thought that I would provide the links here…

1) John Michael Kohler Art Center in Sheboygan just opened Hiding Places: Memory in the Arts and the show (it’s amazing)… and will be up until Dec. 31st.  Tell your friends!

2) The TimeSlips Creative storytelling project is launching a new website that enables folks to read, write, and share creative stories.  The official launch is Sept. 24th, but it will be soft launched this summer.  In the mean time, just check out the current site, which is also very cool!

3) The UWM Center on Age & Community (which I direct) is hosting a Summer Institute NEXT June 24-28th (2012).  Spots will be limited so you can contact the Center today to get more info.  Visit their website for more info. 

4) The Penelope Project has its own blog that is full of fascinating stories from the entire project.

5) Gary Glazner does the Alzheimer’s Poetry Project

6) The StoryCorps Memory Loss Initiative can be found at their website, www.storycorps.net.

Ask me questions if I forgot something… :)

Margaret Gullette’s opinion piece “Our Irrational Fear of Forgetting” in the Sunday New York Times on May 21st, 2011 strikes a provocative chord.  That’s one of the many things that Margaret is exceedingly good at – striking chords.  She’s also a painstaking researcher, an eloquent writer, a keen observer of culture, and a tenacious, on-message town crier.

The piece asks a simple question.  “Is the prospect of the disease [Alzheimer's] so horrifying that it should prompt someone to consider suicide?”

It’s a hard question to answer in a short opinion piece. But her goal here isn’t to fully answer – but to drag out into the bright light of day the question that hides underneath every “senior moment,” every crossword puzzle, every advertisement for a “neurobic” computer game, every wrinkle cream, every mention of someone “still” having their mind, even every ad campaign of the Alzheimer’s Association.

“Is the prospect of the disease so horrifying that it should prompt someone to consider suicide?”

In the light of day, the question compels other questions.  Like “how much of the horror is the financial ruin most families face with the disease?” “How much of the horror is our poorly trained and inadequate care system?” “How much of the horror is fear that keeps us from embracing people with Alzheimer’s with supportive care?”  “How much of the horror can we actually change even if we don’t have a medical cure?”

I’m thankful she mentioned my work in the piece – and the excellent Making an Exit by Elinor Fuchs.  The letters to the editor the following week suggest that the reference to “forget memory, try imagination” wasn’t quite understood for its full intention.

Here is a letter I drafted in response – I doubt it’ll get printed, but I thought I’d share it here anyway.

LETTER TO NYT’s
The pain of experiencing Alzheimer’s, from the inside or the outside, cannot be covered with a band-aid of pithy phrases. Families and friends try everything to reignite the spark behind the eyes of a loved one wrestling with dementia. But when language is crumbling, “remember when?” and “remember me?” cannot make a person whole again. In fact, trying to rebuild memory can reinforce the pain of loss. When I say “Forget memory, try imagination” is not a pithy band-aid over an unhealable hurt.  It is a guidepost, drawing family and friends to find each other again by simply removing the expectation to “remember.”  The open, poetic language of improvisational storytelling, movement, music, or visual art can reconnect us in deeply meaningful ways.  15 years of research, practice, and the glowing faces of people with dementia who rediscover their ability to make meaning again are powerful proof that creativity and imagination are largely untapped reserves of strength when dementia strikes.

Anne Basting is the author of Forget Memory: Creating better lives for people with dementia, 2009, and founder of the TimeSlips creative storytelling project for people with dementia.

Come to Sheboygan, WI between June and December 2011 and experience an incredibly thought provoking, museum-wide exhibit that explores the meaning and role of memory in our lives at the John Michael Kohler Art Center. 

The curators have broken the exhibit into four intriguing sections:  From Memory (artists who make their art from memory); Holding Memory (artists who make objects to hold memory); Forget Memory (artists working with and through memory loss); and Shared Memory (artists using and spinning collective memory).

The exhibit features several artists directly engaging the Sheboygan area community in the making of their work, including Pat Graney, David Greenberger, and Celeste Nelms.

Wrestling with the meaning and role of memory in our lives can help us to understand our fears of its loss – and to imagine how investing in a “cultural cure” (raising awareness and reducing stigma) can go a long way toward relieving the symptoms of memory-related diseases and conditions.

I had the great privilege of consulting on the exhibit and writing an essay for the catalog, which promises to be an invaluable tool for continuing the discussion beyond the exhibit.  And TimeSlips is also featured as an “artist in residence” along with photographer Celeste Nelms, who taught local residents to take photos that contain a provocative narrative.  Art Center docents are trained in the TimeSlips method and will be facilitating stories from the photos on exhibit in the “Community Gallery.”

Book your trip Milwaukee today!  Sheboygan is just a quick hour’s drive north on highway 43!

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